Certain travel destinations perfectly suit some individuals. Every place offers its own rewards and lessons through various combinations of climates and cultures. Retreat leader Brecia Kralovic-Logan is one of those rare individuals who could find beauty and comfort in any location, but after interviewing her we’re pretty sure that the desert is her happy place.
From Native American weaving to lightning storms to the spiritual undertone that fuels all artistic creation, enjoy Arts and Cultural Travel’s second interview with this amazing woman: Read More
After interviewing Catherine Cross Tsintzos, it is difficult to not be blown away by the many facets that her lifetime of art and exploration has resulted in. From crayons to collage, fine art to fine craft, farming indigo to making it into dye; no one can put this woman in a box!
Her passion shines through in all that she does, and we are looking forward to hosting her in Cuba for our upcoming travel journaling workshop. With many ways to experience this fascinating city on the verge of historical change, Catherine will be guiding you through a series of techniques to capture the essence of Cuba and it’s people in a unique format…the travel journal. What can you create when you allow art into your life? Just ask Catherine…
Talk to me about your evolution as an artist… How did it begin, how was it nurtured, and how has your art changed over the years?
Creativity and has always been in my makeup. I was allowed to be myself and had many opportunities to become confident with my art and self expression growing up. A family who supported the arts made it easy for me to transition into keeping art in my life as an adult. Mother always nurtured the art as I was growing up by providing plenty of Crayolas, paints, coloring books, blank paper and art lessons. As a child, I spent time with my grandmother who would hand color tint black and white photographs with oil paints and created exotic and fun decorations during holidays. She was a wonderful storyteller. I was given freedom as a teenager to paint murals on the walls of my bedroom and large chip boards for painting on in our basement.
I recognized in my late 20’s that keeping art in my life was critical to my well being and shared with my family that my life from that day forward would never involve work that was not connected to art and creativity. During my thirties and forties, I created much more art to sale and exhibit. When I reached 50, educating others to keep the arts alive seemed to shift as a big focus and selling my art became less important. With a supportive family, strong faith and wonderful friends, my life has been an arts mission.
Just looking at photos of Elizabeth St. Hilaire, it’s hard to not be inspired by her. With her vibrant hair, bohemian chic clothing, and high cheekbones she looks like the muse we all wish had been our eccentric high school art teacher. Dig a bit more into photos of her multi-media collages, her “Paper Paintings” and you fall deeper in love with her. Her work contains multitudes of levels, both literally and figuratively, of story, sensory experience, and emotion.
We consider ourselves extremely lucky to be offering an exclusive chance to spend eight long art-filled days with her on the private island South Water Caye in Belize. With the glimmering turquoise Caribbean ocean, white sand beaches, vibrant fish and birds in every color of the rainbow… We think she’ll blend right in! Take some time to delve a little deeper into the artistic inspiration of this amazing woman and artist.
Tell us a bit about your process and what environment you like to work in. Do you thrive in chaos or order?
I create art in all kinds of different environments. I have a wonderful studio space near my home in Longwood, FL that I can get to by driving less than five minutes, or even on foot. It’s in a retail space, which makes it nice for visitors to stop by and for walk-in traffic. I enjoy having people visit my studio. In that space I try to keep things orderly and clean, however when I am in the midst of a big project, things can get messy and out of hand. typically I do not clean up until I am finished with what I am working on, between projects. When I am in the throws of creativity, I don’t worry about cleaning up.
I also work in small spaces, such as airline seats (on my seat-back tray table) hotel room desks, and sometimes in public spaces like cafes or Starbucks. Since I travel a lot to teach, I have to always be working on something portable and small that I can take with me. I save the big stuff for the studio.
Do you use a sketchbook or a journal?
Lately I have been experimenting with watercolors. I bought a Sakura Koi field watercolor box and a small pad of watercolor paper, some micron pens, a pencil and found an old kneaded rubber eraser from college (really old). I love the immediacy of this medium, I am able to do small watercolor sketches and studies rather quickly. I’ve been sending these sketches as postcards to loved ones when I travel.
I also do have a journal. When I am home, I love to attend a journalling class at my local Craft Shack. Believe it or not, I do enjoy being a student and not always the teacher.